By popular request we have added two extra sizes to our Series 40.
Earlier this year we launched sizes 8 and 10 as additionals to the original size 12. We will release more larger sizes later in the year.
Here’s what some of our customers say about the Series 40:
“I love the marks this brush makes. It loads up the pigment and then releases it onto the paper in a beautiful stroke.” – Luce Z
“I ordered this triangular brush about a year ago and it’s so fun to use, you could paint a whole picture with it or just use it for special effects/strokes. I use it for watercolour paint only. It has a nice fat body to the bristles so it holds tons of paint but it also comes to the finest tip for details so again, very versatile. The fat/round wood handle is tapered so it’s comfortable to hold.” – Emily U
“I bought this brush last month and it is just wonderful to use…as ALL the Rosemary brushes are!! I LOVE every single brush I have purchased from this wonderful company and the pyramid brush is especially great for painting trees. The paint flows so nicely, it creates nice tree effects. You can get some interesting branch and twig effects with the brush, which comes in handy to get each tree to look individual. I would highly recommend this brush and any of Rosemary’s other brushes to the watercolorist.” – Janet B
“That painting´s really good, it looks just like a photograph!” went the comment.“Uh-oh!” I thought “Back to the drawing board…”
As much as I love photography, I want my paintings to be expressions in their own right. I´m not an abstract artist, although I love abstract art. I am inspired by shape, light and form and want to include these in my work.
I love realistic art but I have been looking for the sort of freedom which allows a liberal dollop of artistic licence! I find myself caught between the desire to render an image faithfully and yet abstract it, play with it and create something new. Such comments (as above) started a journey to capture the essence of what inspires me about an image in the first place but allows me to express something that is not in the scene but speaks to me in my imagination. The brushes I used before did not help me achieve this. They splayed when I needed them to hold their shape, they dripped paint, the outer hairs would rub off – where did they go? – and they shed loose hairs at the most inconvenient moments! Working with acrylics I had to remove these before the paint dried.
A lot of unnecessary effort was expended while I compensated for all of this. Sometimes I just wanted to complete the picture and leave any playing with the image and experimenting for another time. There comes a point where the initial impulse dies and the painting loses spontaneity and looks overworked. I wanted to avoid this at all costs. That’s why I was thrilled to discover your brushes. Painting has become so much more of a pleasure, as I have brushes that work with me, not against me. They have freed up energy and thinking time – sometimes only one brush-stroke is enough to complete a figure or suggest a window. They make a statement. Your brushes support a creative process where I can paint realistically but take artistic licence where I choose to. Needless to say, I have more confidence to experiment and take more risks. I´m enjoying a new freedom in my work. My latest paintings have been inspired by a visit to Sri Lanka this year. Just as our memories merge and blend the people we meet and the places we discover, the images do the same in my work. The colours are as intense as the brightly coloured temples, the smell of the spices and flowers.
My sketchbook, diary and camera travel with me wherever I go. I cannot wait to return to Sri Lanka one day with its enormous variety of landscape, animals and nature. Thanks to my photographs and sketches I can capturequick impressions but this is not enough for me. Painting helps me not only to re-live the experience but explore the images. The result is an expression of something personal, a mini-adventure with brushes and paint that a camera cannot capture.
Images courtesy of Judy Krauss. Please visit her website
We’ve introduced a new Squirrel Blend to our ranges this Summer. The Series 38 Pointed Oval Wash is a blend of Squirrel hair and Synthetic fibres, giving what we believe to be the best of both worlds.
For many, Squirrel hair is the dream watercolour brush for it’s water carrying capacity. However, some say that although it holds an immense amount of pigment, it is a difficult hair to control with it having little to no ‘snap’. It seems a shame to only use your Squirrel brushes for washes and backgrounds if you consider them unmanageable. That is where our new Squirrel Blend comes in handy! The Synthetic fibre that runs through this brush will allow for more control, more snap and also lower the price of a Pure Squirrel Brush. You’ll still have the Squirrel water retention in there, and of course, it’ll be somewhat softer than a 100% Synthetic Brush.
Our new Squirrel Blend works well in watercolour, for silk painting, pin striping, lettering, calligraphy and more. We have introduced the Oval Wash as the first shape, in sizes 1/2˝, 3/4˝ and 1˝ with more shapes to be introduced this year.
For cleaning, you can rinse them in water and lay them on their side to dry. They may go fluffy when they dry completely, but once you get them in water again they will be good to go!
For almost two years Rosemary and Andrew Tischler have been working on creating a new range, The “Tisch”. Here’s the story.
I’d been looking at Andrew’s work on YouTube for some time and noticed he had been mentioning our brushes, in particular our Series 25, 1˝ Angular. Though Andrew liked it, he wanted something he could love because it didn’t quite do what he wanted it to do due to his unique brush strokes.
So, Andrew got in touch and said that he wanted to make certain brush marks, and wanted the range to be available to his followers in all different sizes. Firstly, Andrew drew me pictures of the angles of the brushes he wanted me to create.
I took those pictures and made a set from them. I explained to Andrew we probably wouldn’t get it right first time, but I needed to know what was wrong with them to get it spot on. Again, Andrew trialled the set, told me we were 90% there but he still needed more of a curve on them. When you see how Andrew works, you’ll understand why that curve is essential.
I made another set, sent them to New Zealand and Andrew said “Rosemary, I love the brushes, you absolutely nailed it. I am ready to go! I love them! I look forward to adding them to the kit, these will be my go-to’s.”
Once we launched the Tisch Daggers I thought it would be best to ask Andrew to tell you what he loved about this new range, “I paint a wide variety of subjects that require different technical approaches therefore, I need a wide range of brushes that will allow me to create an engaging
sense of reality across many genres.
Rosemary and Co make the best brushes out there. I choose these brushes for their reliability and absolute quality. I highly recommend these sets, which contain some of my favourite brushes made by Rosemary and Co! These sets will give you the range and versatility you need to master many subjects from portraiture and still life to landscape!” – Andrew Tischler
From there we expanded all the sizes and made from ⅛˝ right the way through to a 1˝ available on the long handle only. As a brush maker, it’s really so lovely to think we can actually design something different that works for that artist, who a lot of artists around the world are following. This range will help Andrew and his followers make brush marks easier and in a small way, I feel to have contributed.
Images courtesy of Andrew Tischler.
To see more of Andrew’s work visit his website:
Mary tells Rosemary & Co about her path into the world of art…
I have been a Rosemary customer for a couple of years now, having learned about Rosemary brushes from my art teacher. I use your brushes almost exclusively, and now I cannot be without them! My particular favourites are the Shiraz short filberts.
I hope my story might give encouragement to others who are considering venturing into the world of art. I was born and brought up in England, but have lived in the United States for over 30 years. I started painting four years ago almost by chance, when a friend at church suggested that I take her religious iconography class. I was reluctant at first – still working full time and wondered how I could fit this into my busy schedule, but went along, admittedly half-heartedly. Little did I know that it would open up a whole new world for me!
After that first class, I began taking lessons from Ma Ly, a French-born art teacher here in Fresno, California. I have learned so much from him, but am still such a neophyte! I paint in acrylics and particularly like working with wooden boards. The majority of my paintings have been icons, but I also enjoy still life, and have just completed my first portrait. I have had several commissions!
I retired a year ago, and now have more time to devote to my art. What wonderful therapy it has turned out to be! There is a whole theology behind iconography: every brushstroke is a prayer, and the artist comes to know the subject very well as the weeks go by. Icons are also therapeutic for the recipient. I find it gratifying and humbling when people tell me that my paintings give them comfort.
Rosemary and Symi met Cesar in 2016 whilst on a trip to Cuba with 100 other artists. After meeting Cesar for only a few minutes it was clear that they were with a modern day master. Enjoy this interview!
Santos’ art education is worldly and his work has been seen around the globe, from the Museum of Contemporary Art in Sicily, Italy and the Beijing museum in China to Chelsea and New York. Santos studied at Miami Dade College, where he earned his Associate in Arts degree in 2003.
Cesar then attended the New World School of the Arts and, just before graduating with a Bachelor of Fine Arts, he dropped out to study abroad and to amplify his understanding of art. In 2006, he completed the Angel Academy of Art in Florence. He still visits this beautiful city with his wife. Santos’ work reflects both classical and modern interpretations juxtaposed within one painting. His influences range from the Renaissance to the Masters of the Nineteenth Century to Contemporary Art. With superb technique, he infuses a harmony between the natural and the conceptual to create works that are provocative and dramatic. As a small company we are so proud to have a brush set with Cesar – a dream come true!
HOW DID GROWING UP IN CUBA INFLUENCE YOUR WORK?
Growing up in Cuba gave me the ability to seize every opportunity, to not take anything for granted. Communism keeps people from achieving their personal dreams, it forced my family to work hard for very little return. Emigrating from such oppression to a free society where I can enjoy the fruits of my art inspired me to work hard and honestly to better myself.
WHAT IS YOUR PROUDEST MOMENT IN YOUR CAREER?
My parents sold their only home and moved to a small apartment in a poor neighbourhood to be able to pay for my classical training in Italy. They never asked for their money back. Nine years into my career I was able to buy them a bigger house and in a better location than their previous one. That was definitely our proudest moment in my career.
WHAT ADVICE WOULD YOU GIVE ABOUT MAKING ART YOUR FULL TIME CAREER?
Commit to your Art fully and don’t have a plan B. Make sure you like to be alone for 14 hours a day for the rest of your life in front of a canvas, working, studying and getting better. Take every opportunity that matches your goals and give 100% of your efforts. Don’t mind the people who criticize or don’t like your art. Welcome those who do appreciate it. Develop your personal voice. Make sure your art is not aimed at pleasing your peers, teachers or family.
WHO ARE YOUR BIGGEST INSPIRATIONS?
I find myself most inspired when I visit museums, especially collections that show the highest standards of artistic achievement. Every time I encounter technical dexterity allied with a personal vision it gets me motivated to work.
WHAT IS THE IMPORTANCE OF SKETCHBOOKS?
Sketchbooks are the place to rehearse, to test your abilities, to have fun. Sketchbooks are a recollection of who you are and who you have been. For me, a sketchbook is the ability to do art and express myself anywhere I go.
WHAT ARE YOUR FAVOURITE BRUSHES AND WHY?
I started painting on canvas when I was in high school. I was using whatever the teachers offered in the classrooms. Mainly acrylic paint on bad rough cotton canvas and cheap mass-produced brushes. Then I wondered why it was so difficult to paint! I have come to realize that great tools allow for freedom of expression. It is difficult enough to have a good eye/hand co-ordination, to paint powerful images. The last thing you need is bad tools that get in your way as you paint. I don’t use random brushes anymore, I use Rosemary Brushes. I recently sent them a photo of my dirty brushes to allow people to know what I use to create my portraits. I am glad they have a ready-to-go Cesar Santos Set with my favourites!
HOW DO YOU GET IN THE ZONE?
I don’t know how to be out of the zone, my life is my zone! As I go to sleep I think of what to do the next day, as I travel through the day new things come up for the next painting and so on, including and planning to not doing anything some days.
WHERE DO YOU SEE YOURSELF A YEAR FROM NOW?
Let me visualize and be specific; I see myself with a newly developed body of work. About two dozen paintings that should exhibit in New York, France and Art Basel. In a year from now I should have about 50 more videos uploaded to my YouTube Channel. In a year I should have increased my strength at the gym as well as in my relationship with my wife. I also want to start dedicating some time to writing comedy, I’ve always made people laugh privately but perhaps is time to test my humour publicly.
IF YOU COULD ONLY PAINT ONE SUBJECT FOR THE REST OF YOUR CAREER, WHAT WOULD IT BE?
Wow, we need to get hypothetical here! I would paint women.
WOULD YOU LIKE TO VISIT ROSEMARY AND GIVE YOUR OWN WORKSHOP?
Of course! I would love to witness how the brushes I use are made. It would give a new dimension to my knowledge and experience while I paint with them. I love giving workshops but if you look at my yearly ambitions, I can’t find the time to schedule it in without sacrificing my career plans.
David Smeadon takes a painting trip down memory lane…
I first started painting way back when I was in primary school. I was interested in the birds I saw in the parks and garden and began drawing and painting them. I remember my teacher said I captured the shapes perfectly.
Experience the pleasure of these beautiful hand crafted red sable brushes. Fashioned on a triangular maroon handle with ‘easy grip’ in mind. Ideal for those who struggle to grip a brush and perhaps suffer from arthritis and with the added bonus they won’t roll off the table!
Recently launched, a useful edition to our extensive range of brushes. The green dye was originally an idea I had to compliment the Christmas season – green reminded me of holly and ivy and Christmas trees. We sent them out to various artists as gifts ‘tongue in cheek’ and they loved them.