I love painting the fresh, bright greens of early springtime. With the first sniff of warmth in the air and a hint of green on the trees, I pack up my oils and favourite brushes from Rosemary’s Ivory Range and head to the woods to paint the bluebells. A couple of long filberts and a no.4 rigger are all I need for working on location.
My first visit to Cornwall was in 1966 whilst courting my now wife Eileen. I remember the excitement of such an adventure, the impact to my artistic eye of this stunning county never has left me. The clean beaches, the aqua coloured sea with bright light bouncing and glittering on the waves, the unique luminescence of the light, the warmth of each day.
It became a desire of ours to live and paint this wonderful part of the country, but life at that time in the commercial art world dictated I stay north. Many, many trips and many hundreds of paintings of the area later we finally made the move.
This is a brush with unique properties which can be used as a tool for painting winter and summer trees.
A new addition to our Ivory range designed by David Shevlino from the USA.
In Shevlino’s current work, the canvas has increasingly become a place to experiment with different techniques of paint application. He is particularly interested in exploring the line between the traditional representation of the figure and the abstraction of it, and his paintings reflect his simultaneous use of both approaches. His paintings are characterized by broad brush strokes, a sensuous application of paint and an obvious feel for tonal harmonies.