"It's not just a brush,
it's an experience.
A ritual. It's life changing
and it's your life."
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tony-hogan-cropped

Location, Location, Location

My first visit to Cornwall was in 1966 whilst courting my now wife Eileen. I remember the excitement of such an adventure, the impact to my artistic eye of this stunning county never has left me. The clean beaches, the aqua coloured sea with bright light bouncing and glittering on the waves, the unique luminescence of the light, the warmth of each day.
It became a desire of ours to live and paint this wonderful part of the country, but life at that time in the commercial art world dictated I stay north. Many, many trips and many hundreds of paintings of the area later we finally made the move.


trees

The Tree & Texture Brush

Struggling with your trees?

Designed to simplify the art of painting trees and foliage in any medium, this special brush has just the right performance to deliver the perfect tree foliage (also a good texture brush for shrubbery, grasses etc).


diving

The Best Of Both Worlds – Flat vs Filbert

A new addition to our Ivory range designed by David Shevlino from the USA.

In Shevlino’s current work, the canvas has increasingly become a place to experiment with different techniques of paint application. He is particularly interested in exploring the line between the traditional representation of the figure and the abstraction of it, and his paintings reflect his simultaneous use of both approaches. His paintings are characterized by broad brush strokes, a sensuous application of paint and an obvious feel for tonal harmonies.


raymar-art

Friends Of The Month – Raymar Art

We met the mother daughter duo, Catherine and Emily Dietrich of RayMar Art four years ago at a California art convention. They own a wonderful family business that produces professional panels and panel carriers, based in Arizona, USA.


leo-mancini-bridge-cropped

Painting Snow In Oils

After graduating from the Florence Art Academy, Leo became an instructor and subsequently Director of the drawing program for sculptors. He uses traditional materials, his own hand-ground paints, canvases and oils.